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The Bank (2001) - Printable Version +- MKLab (https://mklab.gr) +-- Forum: [INDEX] (https://mklab.gr/forumdisplay.php?fid=1) +--- Forum: LISTS (https://mklab.gr/forumdisplay.php?fid=43) +---- Forum: MOVIES&MEDIA (https://mklab.gr/forumdisplay.php?fid=109) +---- Thread: The Bank (2001) (/showthread.php?tid=2278) |
The Bank (2001) - mklabgr - 09-29-2026 The Bank (2001) is an Australian thriller drama directed by Robert Connolly, centered on the relationship between mathematics, financial markets, and corporate greed. Jim Doyle, played by David Wenham, is a brilliant mathematician who develops a computer program based on chaos theory and fractal geometry that appears capable of predicting movements in the stock market. He is recruited by Centabank CEO Simon O'Reily, played by Anthony LaPaglia, who sees the mathematical discovery primarily as a tool for generating enormous profits. At the same time, the film follows Wayne and Diane Davis, a family devastated after the bank forecloses on their mortgage, illustrating the human consequences of aggressive financial practices. As Jim becomes increasingly involved with the bank, he discovers that O'Reily expects absolute loyalty, even demanding that Jim lie in court to protect the bank. Jim's personal history is eventually revealed: his real name is Paul Jackson, and his father died by suicide after the bank terminated his credit. Jim therefore has a personal motive for confronting the institution. When his mathematical model predicts a major stock-market crash, O'Reily attempts to exploit the information, while Jim pursues his own plan. The prediction ultimately goes wrong—the market rises instead of collapsing—and Centabank loses $50 billion and goes bankrupt. Jim disappears overseas, while the Davis family unexpectedly discovers $727,000 in their account, connecting the ending to the film's opening promise about long-term savings. The film consequently explores financial power, mathematical prediction, revenge, corruption, and the conflict between profit and human responsibility. FILM |